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16 February, 2011
16:00
It was an uncanny spectacle: the very real rubble of the Motor City’s industrial economy serving as the movie backdrop for post-industrial America’s paranoid fantasies of national victimization. What made it even weirder was the fact that the film’s producers just left the posters hanging when they packed up. A red-and-yellow poster on that same parking garage assured us for weeks afterward that our new rulers were “here to help.”
